Black & BLUE

A new publication for drama, poetry, prose, and other wild and beautiful scraps. Please send all submissions to submissions@blackbluewriting.com

Black & BLUE: MANIFESTO ART PROJECT

Black & BLUE WANTS YOUR ART.

An opportunity for artists to have their work displayed and sold.
Black & BLUE is a radical new publication for poetry, drama, prose and other.

We are searching for creatives from all backgrounds and all mediums to visually interpret clauses from our manifesto.

We want to see what you feel, and feel what you see.

We don’t want to put restrictions on this, as we want you to have full creative control. Painting,  sculpture, photography or film. Anything you like.

We set this project up in response to some amazing artistic interpretations of our manifesto by emerging and established artists.

We will be exhibiting the works that we receive at our launch party at Kraak Gallery in Manchester on Friday 23rd November and potentially using an image as the cover of our second issue, due out in December. This is a great opportunity to have your artwork displayed and sold.

Please contact frankie@blackbluewriting.com for any further information regarding this project or to submit something. The final date for entries will be November 5st, but this can be more fluid if necessary.

So far we’ve had some wonderful responses:

haridraws:

Illustration of part of Black & Blue’s manifesto. 
Black & Blue is primarily an exciting and unusual new literary publication, but also a whole project to do with writing of all kinds.
Their website is here (though currently being redone) and their facebook page is full of information about upcoming events, links to brilliant articles and thought-provoking snippets from past writers, forgotten poems and weird quotes. In their own words:

Black & BLUE is a radical and strange space.
We are looking for Drama, Poetry, and Prose, but also pieces of writing that don’t really have a genre. 
We want fresh voices to rival the often dull, lifeless, middle-aged and middle-class publications of the literary scene.
We are looking for beautiful writing that is carefully crafted and thoughtful.We are also looking to collect some of the spontaneous fragments that surround us: bits of dialogue, graffiti, tweets, public notices etc.
Our paper will feature some already published poets and dramatists but we are also hoping to get people writing who otherwise wouldn’t.
We believe in variety. We believe in strangeness and individuality.

haridraws:

Illustration of part of Black & Blue’s manifesto. 

Black & Blue is primarily an exciting and unusual new literary publication, but also a whole project to do with writing of all kinds.

Their website is here (though currently being redone) and their facebook page is full of information about upcoming events, links to brilliant articles and thought-provoking snippets from past writers, forgotten poems and weird quotes. In their own words:

Black & BLUE is a radical and strange space.

We are looking for Drama, Poetry, and Prose, but also pieces of writing that don’t really have a genre. 

We want fresh voices to rival the often dull, lifeless, middle-aged and middle-class publications of the literary scene.

We are looking for beautiful writing that is carefully crafted and thoughtful.
We are also looking to collect some of the spontaneous fragments that surround us: bits of dialogue, graffiti, tweets, public notices etc.

Our paper will feature some already published poets and dramatists but we are also hoping to get people writing who otherwise wouldn’t.

We believe in variety. We believe in strangeness and individuality.

One of the most powerful songs from one of the most incredible albums of the last decade. 

An interpretation of one of our manifesto clauses, dedicated to our co-editor Dane, as a billboard on the streets of Berlin, by the artist Robert Montgomery. Thank you Robert.Whole manifesto here: http://blackbluewriting.com/ 

An interpretation of one of our manifesto clauses, dedicated to our co-editor Dane, as a billboard on the streets of Berlin, by the artist Robert Montgomery. Thank you Robert.
Whole manifesto here: http://blackbluewriting.com/ 

Black & BLUE is currently looking for submissions for our second issue. We want your strange midnight thoughts and your twilight ramblings. Your texts. Your epithets. Your birthday card messages.
Please send all submissions to submissions@blackbluewriting.com
For more information, please like us on facebook http://www.facebook.com/BlackBLUEwriting 

Black & BLUE is currently looking for submissions for our second issue. We want your strange midnight thoughts and your twilight ramblings. Your texts. Your epithets. Your birthday card messages.

Please send all submissions to submissions@blackbluewriting.com

For more information, please like us on facebook http://www.facebook.com/BlackBLUEwriting 

WH AUDEN - SEPTEMBER 1, 1939

This poem, written 73 years ago at the outbreak of war, tries to tell us everything about who we are, in 9 stanzas of 11 trimetric lines, – where we were, how we act, why we love, and then finally what we must do.

September 1, 1939

I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade: 
Waves of anger and fear 
Circulate over the bright
And darkened lands of the earth, 
Obsessing our private lives;
The unmentionable odour of death 
Offends the September night.

Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.

Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.

Into this neutral air
Where blind skyscrapers use 
Their full height to proclaim 
The strength of Collective Man, 
Each language pours its vain 
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare, 
Imperialism’s face
And the international wrong.

Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are, 
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.

The windiest militant trash 
Important Persons shout
Is not so crude as our wish: 
What mad Nijinsky wrote 
About Diaghilev
Is true of the normal heart; 
For the error bred in the bone 
Of each woman and each man 
Craves what it cannot have, 
Not universal love
But to be loved alone.

From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
‘I will be true to the wife,
I’ll concentrate more on my work,’
And helpless governors wake
To resume their compulsory game: 
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?

All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street 
And the lie of Authority
Whose buildings grope the sky: 
There is no such thing as the State 
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.

Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.

September – Ted Hughes

September

We sit late, watching the dark slowly unfold: 
No clock counts this. 
When kisses are repeated and the arms hold 
There is no telling where time is. 

It is midsummer: the leaves hang big and still: 
Behind the eye a star, 
Under the silk of the wrist a sea, tell 
Time is nowhere. 

We stand; leaves have not timed the summer. 
No clock now needs 
Tell we have only what we remember: 
Minutes uproaring with our heads 

Like an unfortunate King’s and his Queen’s 
When the senseless mob rules; 
And quietly the trees casting their crowns 
Into the pools.

This poem is blindingly beautiful, using 20th century physics, an intense pastoral sense, and a feudalistic framework to channel a sense of a desperately tortured romance.

Artaud – Heloise & Abelard

passage below from Antonin Artaud, the great dramatist of the 20th century:

His thoughts are beautiful leaves, level surfaces, successions of centers, clusters of contacts among which his intelligence glides without effort: it goes. For this is what intelligence is: to walk around oneself. The question no longer arises whether to be shrewd or slight and to come back to oneself from a distance, to embrace, to reject, to separate.

He glides from one state to the next.

He lives. And things inside him shift like grain in a sieve.

He is really there. He is there like a living medallion

As for Heloise, she is wearing a dress, she is beautiful outside and inside.

A Little Note on Irony & Tragedy

OEDIPUS IS THE VERY MURDERER HE IS HUNTING

Oedipus – a man dogged by his own otherness, turning himself into an ellipsis, chasing himself down to the bone, and coming full circle to the question of the self.

Oedipus – making us feel sick with a kind of time-terror, and then, after it’s all over we have profound relief. A ringing white noise. We go home and take our clothes off. An unwheeling.

As a side note, when Edmund comes upon his hour of death in King Lear, he exclaims

The wheel has come full circle, I am here.

As another little side note, the invention of the wheel by humans has been seen as the one of the most important inventions in our history. Integral to our social evolution and key to prosperity. Was there already the eventual tragedy of our species embedded in the wheels we made in those dark hours six thousand years ago? And if so, when does the wheel come full circle?

The next side note is about time. People talk about tragedies as having timeless properties. But when you’re watching tragedies, you can sometimes glimpse another actor. He’s called Time. He’s so dark and so thin he’s almost invisible. Like a strand of hair hanging the length of the theatre. Sometimes you can glimpse him. Suave, lean, curator, danger, there’s something sexual about him. And then we leave. And only when we leave, then we talk of the timelessness of things.

The very last side note is about ‘tragedy’ meaning scapegoat. Oedipus’ tragedy is selfless because he makes a scapegoat of himself. What will be our most selfish tragedy? And who, or what will we scapegoat?

‘THE HEART IS THE SIGN OR REMNANT OF SOME ANCIENT DISASTER OF THE BOY’
Another transformation of one of our manifesto clauses into an image by Roger Bygott. If you are an artist and like the manifesto, we’d love to see more images. Take a look at http://blackbluewriting.com for the full manifesto.

‘THE HEART IS THE SIGN OR REMNANT OF SOME ANCIENT DISASTER OF THE BOY’


Another transformation of one of our manifesto clauses into an image by Roger Bygott. If you are an artist and like the manifesto, we’d love to see more images. Take a look at http://blackbluewriting.com for the full manifesto.

‘DON’T BE SELF-CENTRED, BECAUSE THE CENTRE OF THE SELF IS A SHOPPING CENTRE’
Powerful and moving piece from Black & BLUE’s Manifesto Artwork project by Mila Taylor-Young. If you too would like to turn a clause from our manifesto into a visual entity, please have a look at http://blackbluewriting.com and email frankie@blackbluewriting.com for more details. 

‘DON’T BE SELF-CENTRED, BECAUSE THE CENTRE OF THE SELF IS A SHOPPING CENTRE’

Powerful and moving piece from Black & BLUE’s Manifesto Artwork project by Mila Taylor-Young. If you too would like to turn a clause from our manifesto into a visual entity, please have a look at http://blackbluewriting.com and email frankie@blackbluewriting.com for more details. 

(Source: facebook.com)

Armstrong & The Moon

This poem below was written 2500 years ago by the mysterious poetess Sappho:

The stars about the lovely moon 
Fade back and vanish very soon, 
When, round and full, her silver face 
Swims into sight, and lights all space

Yesterday Neil Armstrong died. There was some flooding in the UK. The Black & BLUE team had a ferocious nocturnal argument in a Liverpool bar.

The moon has lost her greatest ever lover. A gentle and modest American. It’s sad, but also beauiful, see?

25/08 LIVERPOOL: LETTERS TO THATCHER & BLAIR - A CHANCE TO WRITE & SHARE LETTERS TO TWO DAUNTING FIGURES

The letter is an underused form in ‘creative writing’ but it is perfect for conveying directly to another person very complicated feelings. 

For a lot of us, Tony Blair and Margaret Thatcher permeated our childhoods, our minds and our social circumstances; they spoke to us in speeches and gave us no way to reply to them. 

Writing them letters and then sharing those letters amongst each other will be a special and unifying occasion. We will be able to explore our collective unconscious feelings towards these daunting and iconic figures, who will always be so close but so far.

Although we all probably feel anger towards them it will be interesting to explore the more complicated feelings- Melancholy, Betrayal and even Humour.

Prepare a letter to bring along, or write one with us, we will be there from 2pm and readings will begin at 6pm and go on until 9pm. Come for a drink after too!

You can also pick up a copy of Black & BLUE’s very first issue (poetry, drama, prose & other).

Everyone welcome (except Peter Mandelson/Nick Clegg.)

Follow us on twitter! https://twitter.com/blackblue_blog

Black & BLUE Party - Edinburgh Fringe Festival - A read-sing-rhyme-drink ‘HOWL’ RECITAL & party Public event

To take part in our midnight reading of Ginsberg’s ‘Howl’, please email alex@blackbluewriting.com

Also visit the event page on facebook http://www.facebook.com/events/120348624776788/

We hope to see you there!